The COVID-19 pandemic left orchestras unable to carry out what is arguably their primary role: performing and making live music with...

By Isaac Hart, Karina Sorrels & Victoria Lane The MA students who chose Digital Heritage as a module in 2021 were faced with an...

Nia Davies Can we research Rome and art history without setting foot in the city or touching the contents of the archive? Dr Nia Davies...

40 years of scholarship on written culture have provided an understanding of what people read in the past until today, and established the a

During the pandemic, literary events have migrated online. Over the past year, whether you were based in the centre or the periphery, in Lon

Working with communities in Portugal, Spain and France, the MEMEX project was launched in 2019 and aims to create a digital space for new fo

Following their cross-disciplinary project investigating how digital tools could increase engagement between MOSTYN, a public contemporary a

Symbolic reparations are part of the transitional justice framework, a process that societies experiencing conflict or massive human rights

While community co-creation is becoming a buzzword in the museum sector, many museums are still hesitant to share power, give away control a

This article discusses the student exhibitions curated as part of the ‘Managing Collections and Exhibitions’ module on the MA Art Gallery an

Museum and gallery audience engagement and collections-based activity often centres on sensory response to handling real material. Likewise,

As cultural organisations begin to intensify equality, diversity and inclusion work, Stephen Welsh reflects on his own experiences as a memb